If your film is an hour in length, just double the time to 300-600 hours. Better to give yourself the buffer though. This particular film I was working on had MAJOR audio problems, so if you are handed pristine quality audio to work with, you may be able to cut that timeline down to perhaps 100-120 hours. I would scope out a post production project in this way:ДЇor a 30 minute film you will put in between 150 and 300 hours of work depending on the quality of the audio you are given. I think that film could have benefited from another 150 hours of work, but we didnвЂ™t have that amount of time. There was so much more that I would have loved to have done for the audio mix, but we were on a serious deadline. I put 150 hours into that project, and that was rushing it. I just finished mixing audio and all the other post production elements for a 38 minute film. Most small budget indie films run around the 30 minute mark, so we will use that as a measure to base your estimate on. Think dialog clean up, audio restoration, Foley and sound effect design, as well as automated dialog replacement or ADR work. How in the world are you going to scope out how long it will take to mix a whole movie? I should warn you here, you are most likely going to be doing a lot more than just mixing. YouвЂ™ve been mixing three to five minute songs for most of your career, and you know how many hours can go into tracking and mixing a fully polished song. Just know this, mixing music for bands is going to seem a lot easier after you get done mixing sound for film. If you have worked with other people on projects like this before, you may know most or all of the things I will cover in this article, but if you are setting out on your own for the first time, these are the key points which I found incredibly helpful to know.Дepending on the experience of the director, producer, picture editor, and most definitely the вЂњon locationвЂќ sound person, your job can vary a bit in its scope. The Basics You Should Know Before You Start. If those previous statements are true, then it probably is a perfect fit, but there are a few differences between audio post production for film and mixing a record for commercial release.

You have spent the years building up your skills, and you love movies! You think to yourself вЂњmixing sound for film seems like a perfect fitвЂќ. You have been an audio engineer for a while. So youвЂ™re going to mix sound for film for the first time.

Dvd mixing live sound